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Daniel Smith: CD "Bebop Bassoon"

The four-minute mile, a man on the moon, jazz on the bassoon. Just because something has not happened already does not mean that it is not going to at some point...

Daniel Smith - "Bebop Bassoon"

Track List:
1. Killer Joe
2. Anthropology
3. Blue Monk
4. Sister Sadie
5. In a Sentimental Mood
6. All Blues
7. Doxy
8. Up Against the Wall
9. Birk's Works
10. Sticky Wicket  

Lineup: D. Smith - bassoon, M. Bejerano - p,
J. Sullivan - b, L. Afonso - dr

"One of the many delights of playing jazz on a bassoon is to find yourself performing for audiences that are totally taken with something so unusual and different. I have found that when I perform programmes divided between classical and jazz, the audiences react even more strongly to the jazz segment of the concert than the classical section, even audiences at classical concerts and festivals who have no particular knowledge of jazz. The first half of my concert will consist of classical selections accompanied by piano, then a bass player and drummer are added after the interval for jazz selections."
Daniel Smith


"Jazz on a bassoon? No way. That's what I thought before listening to Daniel Smith's CD 'Bebop Bassoon'. I was wrong. Great arrangements - great musician - great jazz. Listeners loved it - so did I."
Nancy MacLarty, Dimensions in Jazz (Canada)

All in all, thumbs up for this recording with a unique sound, where the bassoon, thanks to Smith's great musicianship, can completely express it's hidden soul as a jazz solo instrument."
Fausto Vedova, Altri Suoni (Italy)


As a leading solo artist of the bassoon, Daniel Smith's 'Bebop Bassoon' is a very valuable album, especially since Smith is the only solo bassoonist performing in both the jazz and classical fields. Excellent performance and very interesting to listen to.
Naro Sisi Krblog.yahoo.com (Korea)

"Smith possesses an imagination and musicality capable of splashing new colors and tonalities on jazz standards”
Jacques Aboucaya, Pour Jazz Magazine (France)


CD of the Month: Bebop Bassoon
"Daniel Smith spans classical and jazz, but here it is pure bop with a great ensemble of young lions. Smile, it's a bassoon"
www.jazzink.com

"Bebop Bassoon' is the ultimate treat to any true bebop fan"
C. Callado, Jornal da Tarde, SP (Brazil)

"'Bebop Bassoon' with Daniel Smith - CDs you'll definitely want to order: "
Don Albert, Tonight magazine (South Africa)


...'You can only marvel at Daniel Smith's awesome command of the bassoon....undeniable virtuosity....a must for bassoonists everywhere'.
P. M. JAZZ, (UK )

"Daniel Smith's CD, 'Bebop Bassoon' is unique, imaginative and refreshing. It's getting good airplay here at the Jazz Café here at WRHU"
-Bob Levoy, Hempstead, Long Island, NY.


"Refreshing to hear. Bassoonist Daniel Smith is swinging and masterful on this recording, he and his group create textures and sounds not always familiar within jazz. A real treat for the ears. Track favorites include Blue Monk and In A Sentimental Mood."
John Sutton, Host of the Jazz Excursion, Jazzexcursion.com

"...As the most recorded soloist ever to play the challenging double reed, it was only a matter of time, it seems, before Daniel Smith ventured out of the classical bassoon repertoire. On Bebop Bassoon, the veteran instrumentalist interprets ten standards from the jazz canon, making the familiar tunes surprisingly fresh with his woody, resonant renditions......an admirable project from an obvious jazz lover that will hopefully lead to greater acceptance of the bassoon as a serious jazz instrument."
Matthew Miller All About Jazz


I have plenty of good jazz ensemble recordings on my shelves, but none surpass Bebop Bassoon for pure fun. And none provide such an in-depth introduction to an unlikely instrument’s potential to bring yet one more new sound to jazz performance. I hope to hear a lot more from Daniel Smith’s bassoon “and beyond.”
Andrea Carter, www.jazzreview.com & www.jazzpolice.com

"I do not think I have heard anything like this before. Way back Yusef Lateef made a LP with all kinds of flutes and - I think - oboe - but never bassoon. I also think Dan Smith is the real thing. The record is well worth listening to. Thank you for giving me the opportunity to listen to my first bebop bassoon! Keep swinging!"
Åke Grandell, www.fonet.com


"This guy has guts. What else can you say for a guy that takes the most unyielding of instruments, the double reed bassoon, and takes it on a journey of bebop and hard bop standards? And you thought Buddy Defranco had it tough with the clarinet? As a reed player myself, all I could do was listen in awe of the mastery of Smith. He just takes apart pieces like “Anthropology” and “Sister Sadie” as if they were nursery rhymes. Even as daunting a piece as Coltrane’s “Up Against the Wall” is deftly handled. This beast was definitely tamed by Daniel Smith."
George W. Harris Jazz Weekly Review

 

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